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Juan Manuel
129 Followers
164 Following
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Havana
Passionate about music, sports, and politics.
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@limonta
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1 day ago
StemSocial
A New, LLM-Assisted Pipeline to Back My Research
Over the last two days, I have been designing a Python script to extract specific information from Grants.gov: Cuba-related funding opportunities published by four federal entities —the n
@limonta
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3 days ago
StemSocial
A Modular Python Pipeline to Track Specific Federal Apportionments — Part 2
It often happens to programmers that code which worked flawlessly before bed suddenly exhibits errors or u
@limonta
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7 days ago
StemSocial
A Technical Deep Dive into Budget Apportionment Tracking Using the OpenOMB API
Last night, working until the very midnight, I finished another tool contributing to what I call a "[technosci
@limonta
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9 days ago
StemSocial
Building a Python app with Claude to query the USASpending.gov API
As part of what I've been discussing recently in the community, I attempted to build a simple Python
@limonta
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10 days ago
StemSocial
What I Think About Cuba's Turn Toward a "Socialist" Market Economy
After almost twenty years of flirtations and false starts with deep market reforms, Cuban authoritie
@limonta
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12 days ago
StemSocial
Building a Browser-Based Contextual Awareness Tool for a Politically Sponsored Information Ecosystem
Because of the sociotechnical conditions of cyberspace, users consume information in online environments where the content appears detached from its broader, genetic in
@limonta
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14 days ago
StemSocial
A Technoscientific Workflow for Analyzing U.S.-funded, Cuba-bound Information Operations
Between 1996 and 2024, the U.S. Con
@limonta
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19 days ago
StemSocial
Economics as a STEM Discipline and Its (Blocked) Contribution to Cuba's Future
The first thing I want to estab
@limonta
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20 days ago
StemSocial
A Critical Assessment of Social Cybersecurity as a Technoscientific Enterprise
As I have noted, the socio-technical architecture of cyberspace pre
@limonta
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20 days ago
StemSocial
Some "Intractable" Properties of Cyberspace in the Face of Censorship
In his classic text "Do Artifacts Have Politics?", Langdon Wi
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