TS Eliot's "Love Song of J Alfred Prufrock" interpreted by Stable Diffusion AI

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Let us go then, you and I,
When the evening is spread out against the sky
Like a patient etherized upon a table;

01855-2493431609-Let us go then, you and I,_When the evening is spread out against the sky_Like a patient etherized upon a table;.png

Let us go, through certain half-deserted streets,
The muttering retreats
Of restless nights in one-night cheap hotels
And sawdust restaurants with oyster-shells:

01867-2945821838-Let us go, through certain half-deserted streets,_The muttering retreats_Of restless nights in one-night cheap hotels_And sawdus.png

Streets that follow like a tedious argument
Of insidious intent
To lead you to an overwhelming question…
Oh, do not ask, "What is it?"
Let us go and make our visit.

01877-1225274589-Streets that follow like a tedious argument_Of insidious intent_To lead you to an overwhelming question…_Oh, do not ask, _What i.png

In the room the women come and go
Talking of Michelangelo.

01885-1582707442-In the room the women come and go_Talking of Michelangelo.png

The yellow fog that rubs its back upon the window-panes,
The yellow smoke that rubs its muzzle on the window-panes
Licked its tongue into the corners of the evening,
Lingered upon the pools that stand in drains,
Let fall upon its back the soot that falls from chimneys,
Slipped by the terrace, made a sudden leap,
And seeing that it was a soft October night,
Curled once about the house, and fell asleep.

01889-1269838369-The yellow fog that rubs its back upon the window-panes,_The yellow smoke that rubs its muzzle on the window-panes_Licked its to.png

And indeed there will be time
For the yellow smoke that slides along the street,
Rubbing its back upon the window-panes;
There will be time, there will be time
To prepare a face to meet the faces that you meet;

01897-1743227560-And indeed there will be time_For the yellow smoke that slides along the street,_Rubbing its back upon the window-panes;_There w.png

There will be time, there will be time
To prepare a face to meet the faces that you meet;
There will be time to murder and create,
And time for all the works and days of hands
That lift and drop a question on your plate;
Time for you and time for me,
And time yet for a hundred indecisions,
And for a hundred visions and revisions,
Before the taking of a toast and tea.

01921-897071081-There will be time, there will be time_To prepare a face to meet the faces that you meet;_There will be time to murder and creat.png

To wonder, "Do I dare?" and, "Do I dare?"
Time to turn back and descend the stair,
With a bald spot in the middle of my hair—
[They will say: "How his hair is growing thin!"]
My morning coat, my collar mounting firmly to the chin,
My necktie rich and modest, but asserted by a simple pin—
[They will say: "But how his arms and legs are thin!"]

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Do I dare
Disturb the universe?
In a minute there is time
For decisions and revisions which a minute will reverse.

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For I have known them all already, known them all—
Have known the evenings, mornings, afternoons,
I have measured out my life with coffee spoons;
I know the voices dying with a dying fall
Beneath the music from a farther room.
So how should I presume?

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And I have known the eyes already, known them all—
The eyes that fix you in a formulated phrase,

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And when I am formulated, sprawling on a pin,
When I am pinned and wriggling on the wall,
Then how should I begin
To spit out all the butt-ends of my days and ways?
And how should I presume?

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And I have known the arms already, known them all—
Arms that are braceleted and white and bare
[But in the lamplight, downed with light brown hair!]

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Is it perfume from a dress
That makes me so digress?
Arms that lie along a table, or wrap about a shawl.
And should I then presume?
And how should I begin?

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Shall I say, I have gone at dusk through narrow streets
And watched the smoke that rises from the pipes
Of lonely men in shirt-sleeves, leaning out of windows?

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I should have been a pair of ragged claws
Scuttling across the floors of silent seas.

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And the afternoon, the evening, sleeps so peacefully!
Smoothed by long fingers,
Asleep… tired… or it malingers,
Stretched on the floor, here beside you and me.

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Have the strength to force the moment to its crisis?
But though I have wept and fasted, wept and prayed,
Though I have seen my head [grown slightly bald] brought in upon a platter,
I am no prophet—and here's no great matter;

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I have seen the moment of my greatness flicker,
And I have seen the eternal Footman hold my coat, and snicker,
And in short, I was afraid.

01993-2655053229-I have seen the moment of my greatness flicker,_And I have seen the eternal Footman hold my coat, and snicker,_And in short, I w.png

To have squeezed the universe into a ball
To roll it toward some overwhelming question,
To say: "I am Lazarus, come from the dead,
Come back to tell you all, I shall tell you all"—

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But as if a magic lantern threw the nerves in patterns on a screen:

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If one, settling a pillow by her head,
Should say: "That is not what I meant at all.
That is not it, at all."

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After the sunsets and the dooryards and the sprinkled streets,
After the novels, after the teacups, after the skirts that trail along the floor—
And this, and so much more?—
It is impossible to say just what I mean!

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No! I am not Prince Hamlet, nor was meant to be;
Am an attendant lord, one that will do
To swell a progress, start a scene or two,
Advise the prince; no doubt, an easy tool,
Deferential, glad to be of use,
Politic, cautious, and meticulous;
Full of high sentence, but a bit obtuse;
At times, indeed, almost ridiculous—
Almost, at times, the Fool.

02021-1789036537-No! I am not Prince Hamlet, nor was meant to be;_Am an attendant lord, one that will do_To swell a progress, start a scene or tw.png

I grow old… I grow old…
I shall wear the bottoms of my trousers rolled.

02027-2247506412-I grow old… I grow old…_I shall wear the bottoms of my trousers rolled.png

Shall I part my hair behind? Do I dare to eat a peach?
I shall wear white flannel trousers, and walk upon the beach.
I have heard the mermaids singing, each to each.

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I do not think that they will sing to me.

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I have seen them riding seaward on the waves
Combing the white hair of the waves blown back
When the wind blows the water white and black.

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We have lingered in the chambers of the sea
By sea-girls wreathed with seaweed red and brown
Till human voices wake us, and we drown.

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02049-3176461980-We have lingered in the chambers of the sea_By sea-girls wreathed with seaweed red and brown_Till human voices wake us, and we d.png


The poem belongs to TS Eliot. You can read the complete unillustrated text here: https://poets.org/poem/love-song-j-alfred-prufrock
Images generated by entering the accompanying text into Stable Diffusion AI's WEBUI interface with all default settings.

In each case I picked the best of four images, and didn't edit or try to remove the weird AI mutations and artifacts. Kind of a lazy exercise. But that's kind of the point.

It actually made me stop and reflect on the poem in a way I hadn't before. I mean, it kind of works.

It kind of makes me want to write poetry for my computer...

If you have a computer with a decent graphics card, you can install this stuff for free and start playing with it yourself. A decent guide for getting started with an Nvidia card can be found here, and with an AMD card here.



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3 comments
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Oh, I'd heard of this. It's fucking terrifying, though I do think some fit really well. The lonely men in shirtsleeves one definitely. And the ragged claws. That's just so infinitely bizarre (I think I'm saving it to my computer). I like how some capture the cold and the tragedy of the poem, while others, like the rolled-up trousers one is just like...an arrested, drunken man?

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It's seriously the most addictive thing I've encountered on a computer. I could be in real trouble here.

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I mean, other than the bizarre and general creepy nature, it's not that bad. With poems and songs and all, it's like talking to someone knowledgeable about things you love, and them bringing new input -- who doesn't love that?

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